Architecture is often seen as buildings, spaces or city skylines, but we rarely think about who is behind these forms. The international campaign #WHOISTHEARCHITECT invites us to turn our attention to the creators – architects, designers, landscapers and other professionals whose work shapes our everyday environment. This initiative aims to remind us of a simple but important fact: every building, interior, design object or public space has an author, and naming them is not only a sign of professional respect but also a sign of cultural maturity.
The #WHOISTHEARCHITECT campaign was born in Montreal, initiated by the architecture agency Kollektif and later spread throughout the UNESCO Design Cities Network. In 2025, Kaunas joined the campaign, becoming the platform for this initiative in Lithuania. The Lithuanian part of the campaign was implemented by the cultural magazine Nemunas in collaboration with professionals in culture and creativity from Kauno Kolegija. The project was curated and implemented by the team of the Faculty of Arts and Education [Kauno Kolegija], led by project manager Gediminas Banaitis-Skrandis, with photography by lecturer and artist Svetlana Batura.
In Lithuania the campaign was implemented according to the standard created by the architecture agency Kollektif – as a series of architectural portraits and interviews presenting the creators together with their creations. This cycle revealed a wide range of architecture and design – from projects interpreting heritage to contemporary interior or object design.
The campaign presented architects and designers from various fields alongside their creations, revealing different contexts of contemporary Lithuanian architecture and design. Among them are architect Sigita Kundrotaitė-Savickė and the cultural ship-river dredger Nemuno7 moored in Zapyškis, architect Antanas Dominas and the building of the restaurant NAHA Sushi & Asian Fusion in Anykščiai, and the urban planning team Pupa [architects Tadas Jonauskis, Justina Muliuolytė, Ignas Račkauskas, Lukas Kulikauskas, Augustinas Makrickas], who created the Panevėžys creativity center Pragiedruliai.
The publications also feature the historic Pilininko House in Vilnius, designed by architects Kęstutis Bakanauskas and Sidona Šašlauskaitė [together with the interior architects of the company Processoffice interior architects Vytautas Biekša, Rokas Kilčiauskas, Adele Dovydavičiūtė, Dorotėja Žiugždaitė, Marius Kanevičius, Justinas Stefanovič, Dovile Van Haeperen], architect Vaiva Mažonė’s interior design for Boheme House in Kaunas, the Radio House project in Vilnius by architect Skirmantė Kubiliūtė-Deniušienė of the Plazma studio [together with Evelina Talandzevičienė, Ryčius Mikulionis, Martynas Lukas and Vilte Tamule], and the interior design of the Glasses On optician’s in Kaunas by architects Justė Žibūdienė and Dominyka Rudokė from the Toota studio.
Alongside these, public spaces have also been created in the regions – the Palanga Youth and Volunteer Center, designed by Simonas Norkus, Ignas Lesauskas, and Donatas Laucius [studio “nytt” and “2L Architects”], and the project of VDU Ugnė Karvelis Gymnasium extension at the Academy by architects Vaidas Tamošiūnas and Edvinas Stašys [NEBRAU, together with architects Lukne Barčaitė, Gabriele Šliurpaite, Rūta Piečyte-Kinkevičiene, and Ieva Žvirble from the MASPRO studio].
The list of creators is complemented by the interior architects of the Klaipėda State Music Theater, Marius Mateika, Audronė Pakalniškytė and Indrė Ankudavičienė, together with artist Mantas Petravičius; Justina Giedraitė and Rimantas Giedraitis, interior architects of the recently opened Daina cinema; and furniture designer Aurimas Lažinskas [studio Muista] and his chair Jojiko, reminding us that our environment begins not only with buildings, but also with the objects that surround us every day.
In Lithuania, the campaign distinguished itself by highlighting not only projects in Vilnius or widely recognised landmarks, but also high-quality architecture found beyond the capital. The publications featured Anykščiai, Panevėžys, Zapyškis, Akademija and Palanga – cities and towns where high-quality architecture is becoming an especially important part of local identity and community life. The aim was to show that the professional work and authorship of architects is significant not only in large cultural or business projects, but also in smaller areas where architecture directly affects people’s everyday environment.
#WHOISTHEARCHITECT is not just an information campaign. It is also an invitation to get to know the people who create our environment and to recognize their work as an important part of culture. Because every space – from a theater hall to the interior of a small café – is a living story about its creators, their values and the time in which we live. And only by naming the authors can we fully understand architecture – not only as a form, but also as the result of human creativity.
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#WhoIsTheArchitect?
Gediminas Banaitis interview with Martin Houle [in LT]
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OBJECT – the cultural ship-dredger Nemuno7
ARCHITECT – Sigita Kundrotaitė-Savickė (Hito.lt)
PROJECT CONCEPT AUTHOR – Gediminas Banaitis-Skrandis
AUTHOR OF THE SHIP’S LANDSCAPING CONCEPT – Ūla Marija Bujauskaitė
SHIP’S LANDSCAPING DESIGNER – Rasa Povilionienė
PERMANENT EXHIBITION CURATOR – Emilija Šneiderytė
LIGHTING DESIGNER – Linas Kutavičius
CLIENT – Kaunas2022 and Kaunas District Municipality
LOCATION – Zapyškis, Nemunas riverbank
Nemuno7 is a former dredger used to deepen the riverbed, built in 1965 It served for more than half a century and has not been used for its intended purpose for some time due to outdated technology that is harmful to the river ecosystem. In 2022, it was reconstructed and transformed into a cultural center and park on the water, moored in Zapyškis, on the left bank of the Nemunas.
It would be difficult to find another similar object on water anywhere in the world, distinguished by its novel adaptation, original architectural idea, innovative spatial concept, thoughtful and coherent solutions. Emphasizing the beauty of river engineering heritage and materials, architect Sigita Kundrotaitė-Savickė enriched the structure with natural and functional details, making the object aesthetically flawless and subtle down to the smallest details.
“When an architect undertakes secondary use or strives for sustainability, they often have to give up part of their ego — this requires a constant compromise between creativity and responsibility. When trying to reuse as much as possible, it is difficult to create innovations, but it is precisely these limitations that sometimes unleash unexpected creative powers,” says the architect of the object.
Prepared by Gediminas Banaitis-Skrandis
Photo by Svetlana Batura
More information: www.nemuno7.lt www.hito.lt
THE RELATIONSHIP BETWEEN MAN AND SPACE IN ARCHITECTURE
Gediminas Banaitis-Skrandis interview with Sigita Kundrotaitė-Savickė [in LT]
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OBJECT – NAHA Sushi & Asian Fusion café
ARCHITECT – Antanas Dominas | DNA Studio
INTERIOR DESIGNER – Monika Mickutė
CONSTRUCTOR – Audronė Dominaitė
CLIENT – A. Šimkaus firma, IĮ
LOCATION – A. Baranausko Square, Anykščiai
Located in the old town of Anykščiai, this café is a subtle and contextual example of how traditional architectural heritage can be combined with contemporary needs and new architectural ideas. The building offers a modern interpretation of historical building principles. The red brick façade blends into the rhythm of its surroundings, echoing the neo-Gothic St. Matthew’s Church and the aesthetics of the old town. Subtle solutions – consoles, brick pattern panels, and large windows – ensure an abundance of light and space as well as functionality. – ensure an abundance of light and space as well as functionality. The small size of the plot forces us to look for rational solutions, and the choice of location, materials, and forms creates a cozy and modern building – it expresses respect for the past, a glimpse into the future and an invitation to come in.
“The observer’s reaction depends on the relationship between architecture and context. It can be more critical if the object looks like a foreign body in its surroundings, and – conversely – more positive if the new building finds its place in a specific context. Solutions that blend in with the environment raise fewer questions for the observer and seem more understandable because they appear more natural,” says the author of the building.
Photo by Svetlana Batura
Prepared by Gediminas Banaitis-Skrandis
More information about the project: https://www.dnastudio.lt/anyksciai
METHOD – NOT ONLY TO PRESERVE, BUT ALSO TO HIGHLIGHT AUTHENTICITY [In LT]
Gediminas Banaitis-Skrandis interview with Antanas Dominas
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OBJECT – Pragiedruliai Creativity Center
ARCHITECTS – Tadas Jonauskis, Ignas Račkauskas, Lukas Kulikauskas, Augustas Makrickas, Justina Muliuolytė | international team of urban planners “Pupa”
LANDSCAPE DESIGNERS – Linas Usas, Ramunė Baniulienė
HERITAGE CONSERVATION SPECIALIST – Marija Nemunienė
INTERIOR DESIGNERS – MB Hus Studio
PROJECT MANAGEMENT – Mutuus UAB
CLIENT – Panevėžys City Municipality
LOCATION – Ukmergės g. 59A, Panevėžys
The Pragiedruliai Creativity Center, located in Skaistakalnis Park in Panevėžys, has received exceptionally positive reviews from the architectural community – it was recognized as the best recreational architecture project of 2024 in the traditional competition organized by the Lithuanian Union of Architects and the Algimantas Zaviša Foundation. A complex of artists’ studios and event spaces has been established in the former manor house of poet Juozas Čerkesas-Besparnis, dating back to the interwar period. Tadas Jonauskis and the Pupa team of urban planners have restored the red brick building, preserving its historical details and subtly complemented it with a curved contemporary extension that blends harmoniously into the sensitive park landscape. The project not only successfully combines authenticity and modernity, it also creates harmonious, safe relationships between local residents and the environment.
“In almost every project, we involve the community at various stages. This allows us to get to know the local problems and the expectations of residents and building users more closely and in greater detail. This process alone does not guarantee a high-quality result, but without it, it is extremely difficult to propose important solutions,” says the architect of the building.
Photo by Svetlana Batura
Prepared by Gediminas Banaitis-Skrandis
More information about Pragiedruliai: https://pu-pa.eu/projects/istorine-sodyba-menu-centras
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PROJECT – Extension of the Ugnė Karvelis Gymnasium at Vytautas Magnus University
ARCHITECTS – Vaidas Tamošiūnas, Edvinas Stašys | NEBRAU; Luknė Barčaitė, Gabrielė Šliurpaitė, Rūta Piečytė-Kinkevičienė, Ieva Žvirblė | MASPRO
CLIENT – Kaunas District Municipality
LOCATION – Mokyklos g. 5, Akademija, Kaunas District
The learning environment is not just walls, but also a space that shapes the culture of education, relationships, and the worldview of future generations. The architecture of modern schools has long gone beyond the boundaries of traditional classrooms – the latest trends in education emphasize that architecture should encourage creativity, cooperation, critical thinking and well-being. Educational institutions and public spaces are increasingly being designed based on the principles of flexibility, inclusiveness and sustainability, responding to the rapidly changing needs of society. Classrooms are no longer closed, strictly defined spaces – they are being replaced by multifunctional, easily transformable environments, outdoor classrooms where you can learn not only by sitting at desks, but also by experimenting, discussing or working in teams.
During the #WHOISTHEARCHITECT information campaign, we take a look at the renovation of the VMU Ugnė Karvelis Gymnasium in the Kaunas district, led by architect V. Tamošiūnas.
“New spaces provide new opportunities for students and the entire community. We, as architects, create scenarios for how they should be used, what can be done and discovered in them. When designing, I always try to put myself in the shoes of the user of the building or environment – what they will see, what emotions the space, its environment, form and color will evoke in them.
Architecture can become not only a backdrop, but also an active participant in the learning process when education transcends traditional boundaries. However, the teacher plays an important role here – after all, they accept the opportunities provided by architecture and try to use them creatively in the educational process,” says the architect.
Photo by Svetlana Batura
Prepared by Gediminas Banaitis-Skrandis
More information – www.nebrau.com
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OBJECT – Boheme House hotel and restaurant
ARCHITECT – Vaiva Mažonė | thearchitect.lt
INTERIOR DESIGNER – Vaiva Mažonė
CLIENT – UAB Mazon Holding
LOCATION – Muitinės g. 9, Kaunas
The information campaign #WHOISTHEARCHITECT and #WHOISTHEDESIGNER invites the public to pay attention to the visibility and value of architects and designers. The question of who created a particular building, interior or object encourages us to reflect on how we understand the boundaries of creative professions. Where does architecture end and design begin? Or has this distinction long since disappeared in contemporary urban creations? This is particularly relevant when talking about places that are not only lived in or relaxed in, but also experienced. Boheme House is one of the most striking Lithuanian examples of design becoming an extension of architecture, which in turn becomes a backdrop for emotion, atmosphere and storytelling. It is difficult to say unequivocally whether this is interior design with architectural elements or architecture speaking the language of design. In this creative project, every decision contributes to a coherent spatial experience, conveys an idea, tells stories, and creates a connection between people and the building. Vaiva Mažonė, the architect and founder of this hotel, shares her thoughts on the difference and interaction between the two professions:
“Circumstances unfolded in such a way that I began to create Boheme House not only in spaces, but also on plates. I was afraid that this would distract me from my direct architectural work, but I am beginning to see that this new experience further liberates my creative thinking. That’s why I welcome everything into my life and field of interest – architecture, gastronomy, technology, marketing, music, ethnology,” says Vaiva, the architect of the object.
Photo by Svetlana Batura
Prepared by Gediminas Banaitis-Skrandis
For more information: https://thearchitect.lt/portfolio/boheme-house/
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PROJECT – Interior of the Glasses On optical store
INTERIOR DESIGNERS – Justė Žibūdienė, Dominyka Rudokė | Studio “Toota”
CLIENT – Optician’s studio “Glasses On”
LOCATION – Laisvės al. 30, Kaunas
Today, interior design in public spaces is more than just aesthetics. It is the formation of a shared experience between the designer, the client and the consumer. In search of the key to the interior of the Glasses On optical store, designers Justė Žibūdienė and Dominyka Rudokė from the Toota studio chose a bold path – to create not a store, but a scenography, a visual experience that invites you to come in, discover and admire. This space is constructed like an art gallery for glasses – with the mood characteristic of an exhibition and the dramaturgy of internal perspectives. Large concrete volumes, mirror reflections, illusions of hanging blocks and contrasts of textures and materials create an unexpected but deliberately controlled impression.
By experimenting with expressive materials—concrete, copper, epoxy and wood—each surface becomes part of an emotional narrative. The cool tones of concrete are complemented by bright accents of heated copper, while large, rough objects contrast with subtle metal sheets. This space creates emotions and reveals that design is not just a question of form. It is a process that combines creativity, intuition, knowledge of materials, client trust and the search for new experiences.
“There was a lot of experimentation in the process – not just for us, but for the whole team. Often these are decisions that no one has tried before – at least not on this scale, in this form or in this context. Such attempts cause both excitement and tension, but at the same time – unique emotions. It’s all reminiscent of dyeing eggs with onion skins at Easter – you never know what colours and patterns are hidden inside until you unwrap them. We are among those creators who consciously avoid short-lived trends and do not want to succumb to the wave of transience that often overshadows the true value, context, or environmental characteristics of a project. This time, we had the luxury of enough time for our ideas to mature. As a result, every decision and every material was carefully considered, tested and tried out through experimentation. We believe that natural, long-lasting materials produce the most durable results—the most important thing is to select and combine them properly,” says designer Justė.
Photo by Svetlana Batura
Prepared by Gediminas Banaitis-Skrandis
For more information: www.toota.lt
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OBJECT – Interior of the Klaipėda State Music Theater
ARCHITECTS – Marius Mateika, Indrė Ankudavičienė, Audronė Pakalniškytė
DECORATOR – Mantas Petravičius
CLIENT – Klaipėda State Music Theater
LOCATION – Danės g. 19, Klaipėda
Every space is a living story – about its creators, their decisions, values and experience. A work of architecture is more than just the work of its author: it takes root in the community, becomes part of it, a place of experience and memory. Therefore, getting to know the creator means understanding the importance of their ideas and work for our environment, life and emotions.
The goal of the #WHOISTHEARCHITECT campaign is to strengthen the value of the work of architects and designers in society, to show that behind every building, square, or design object there are specific faces.
The creators of the interior of the Klaipėda State Music Theater, which recently won the prestigious A’ Design Award & Competition, are architects Marius Mateika, Indrė Ankudavičienė, Audronė Pakalniškytė and decorator Mantas Petravičius, unanimously agree that spaces such as theaters are not born from the brush of a single author, but from the fusion of various experiences.
“When presenting their work, the authors are named, but not all of them and not always. I am mentioned much more often than my colleagues Audronė, Indrė or Mantas,” notes Marius, head of the MAMA architects studio. “Although the question remains as to which of us put in more effort. And that’s not just unfair or unethical – it’s simply uninteresting. If you ask the same people the same questions, the answers will be repetitive. We are all very different and this theater is the result of the interaction of those unique perspectives.
Architect and co-author Audronė adds: “Hundreds of people played in the construction orchestra and each of them gave their best, whether it was plastering curved railings, calculating materials, aligning acoustic panels or conducting. We all contributed in our own way. Although the process was not easy, it was extremely enjoyable to be part of it.”
“I really hope that even after 50 years, the interior we created will still delight visitors, the materials used will age beautifully and my adult daughter will be proud that I put my heart into creating this interior,” says architect Indrė.
Photo by Svetlana Batura
Prepared by Gediminas Banaitis-Skrandis
For more information: www.mamaarchitects.com
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OBJECT – Radijo Namai administrative building
ARCHITECTS – Skirmantė Kubiliūtė-Deniušienė, Evelina Talandzevičienė, Rytis Mikulionis, Martynas Lukas, Viltė Tamulė | Plazma Architecture Studio
CLIENT – UAB M-1
LOCATION – A. Smetonos g. 7, Vilnius
The Soviet occupation left many scars on the people and environment of Lithuania – not only emotional ones, but also physical ones, embodied in the environment and architecture. There is a desire to cover them up, remove them and forget them. However, there is another way – to cleanse, create new meaning and give it a new sound.
Skirmantė Kubiliūtė-Deniušienė, an architect at the Plazma studio who designed the interior of the Radio House, chose the second path. When adapting the post-war building to new needs, she did not try to erase the past, but gently integrated it into the contemporary context. The remaining authentic elements – mosaic concrete, plaster moldings, natural wood—show how a painful past can find a place in today’s space. The historical details of the building are used as the basis for a new, light, modern architectural layer. The interior designer of the Radio House does not seek to dominate – she wants to hear, feel and understand the space, subtly adapting it to the current rhythm of the city.
“I believe that architecture from all periods should be accepted and recognized – history should not be denied, as this weakens collective memory and can lead to the repetition of the same mistakes. I believe that the urban landscape should reflect the entire development and life cycle of the city, without silencing or erasing painful historical periods,” says Skirmantė, the architect of the building.
Prepared by Gediminas Banaitis-Skrandis
Photo by Svetlana Batura
For more information: www.plazma.lt
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PROJECT – Pilininko House
ARCHITECTS – UAB Aplan, project manager architect Kęstutis Bakanauskas, architect Sidona Šašlauskaitė
INTERIOR ARCHITECTS – UAB Processoffice, Vytautas Biekša, Rokas Kilčiauskas, Marius Kanevičius, Justina Stefanovič, Dovilė Van Haeperen, Adelė Dovydavičiūtė, Dorotėja Žiugždaitė
OTHER CREATIVE SPECIALISTS – architect and heritage conservationist Edmundas Purlys, architects Saulutė Domanskienė and Rasa Saltonaitė
CLIENT – National Museum of Lithuania
LOCATION – Arsenalo g. 1, Vilnius
Heritage is not just a testimony to the past. It strengthens the local identity and teaches us sustainable solutions, making it a bridge to the future. The information campaign #WHOISTHEARCHITECT presents the case of the Pilininko House – one of the most striking examples of cultural heritage adaptation in recent times. Here, where a few years ago there was only oblivion and neglect, today visitors find a modern museum that combines the historical identity of Vilnius with contemporary architecture.
“The Pilininkas House project showed that the revival of old architecture can be no less creative than the realization of new ideas. Open historical spaces provide a unique experience that a new building cannot offer,” says architect Kęstutis Bakanauskas, who implemented the project.
A creative approach is becoming the answer to discussions about architecture and heritage, which always raise questions: how much can an authentic structure be changed? Where does preservation end and interpretation begin? What heritage is valuable today and what is valuable for the future?
“The Pilininko House is excellent proof that heritage is not an obstacle, but an opportunity. Authentic elements have been combined with modern technologies and sustainable solutions, making the building accessible to all visitors. This shows that an old building can become a modern museum without losing its spirit,” says co-author architect Sidona Šašlauskaitė.
Such projects prove that heritage and new architecture are not opposed to each other, but complement each other – sustainable solutions, modernization, and respect for history allow us to create not only spaces, but also meanings – connections between generations, between cultures, between the past and the present.
Prepared by Gediminas Banaitis-Skrandis
Photo by Svetlana Batura
For more information: https://aplan.lt/projektai/pilininko-namas/
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OBJECT – Palanga Youth and Volunteer Center
ARCHITECTS – Simonas Norkus, Ignas Lesauskas (architecture studio “nytt”), UAB “2L Architects”
PROJECT MANAGER – Donatas Laucius
CLIENT – Palanga City Municipality
LOCATION – Vytauto g. 110, Palanga
Young people’s relationship with architecture is an attitude towards themselves and their city. It is important for them to have a place where they can be themselves, feel understood and welcome. The Palanga Youth and Volunteer Center, designed by architects Simonas Norkus, Ignas Lesauskas, and Donatas Laucius, responded to this need with engaging architecture that invites people to spend time together.
The building, located at the intersection of Vytauto and Jūratės streets, opens onto the largest pedestrian artery on the northern side of the plot. Its most important feature is a sunken amphitheater, adapted for small cultural events during the warm season. It is a new city scene where the young generation of Palanga residents meet, create, and share their energy. Transparent facades, open areas and freely modifiable structures allow the space to change along with the youth community. This center is designed for those who want to perform and those who seek peace and quiet but want to feel part of the city.
“Our architectural and urban idea is based on this principle – to be open, to get involved, to observe and be observed. We wanted spaces that not only fulfill their functions, but also inspire, provide security and allow people to feel seen,” says architect Simonas Norkus.
Prepared by Gediminas Banaitis-Skrandis
Photo by Donatas Bielkauskas
For more information: www.nytt.lt
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OBJECT – interior of the Daina cinema
INTERIOR ARCHITECTS – Justina Giedraitė, Rimantas Giedraitis (UAB Giedraitis & architektai)
HERITAGE ARCHITECT – Loreta Janušaitienė
CLIENT – UAB Mūsų daina
LOCATION – Savanorių pr. 74, Kaunas
The reborn Daina cinema in Kaunas is not only a unique example of modernist architecture, but also clear proof that respect for the past can be relevant in contemporary design. Designed by architect Stasys Kudokas in 1936, the building has undergone several transformations over the past nine decades, but has not lost its purpose and is once again becoming a cultural hub of the city.
According to architects Justina and Rimantas Giedraitis, when renovating Daina, it was important to remember that the value of this building lies not only in its form or function, but also in its profound national and cultural message. “Like many modernist buildings in Kaunas, the Daina cinema reminds today’s creators of the possibility, and perhaps even the necessity, of not losing touch with their roots,” they say.
The historic Daina cinema reveals not only the aesthetics of modernism, but also the harmony of the technology of the time – the building’s acoustics and lighting solutions were specially adapted for sound cinema. Today, the interaction between the engineering innovations of the past and contemporary functional needs is rediscovering its connection – a space that meets the requirements of the present has retained its identity.
This interior is like an architectural lesson for designers, a reminder that spaces can be multi-layered, designed not only for function or style – they allow us to create a link between the past and the present. The architects of Daina invite us to reflect on authenticity, details and context, which can be combined in such a way that the architecture remains faithful to its history, but at the same time speaks of new needs and contemporary aesthetics.
Prepared by Gediminas Banaitis-Skrandis
Photo by Svetlana Batura
For more information: www.g-architektai.lt
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OBJECT – Jojiko chair
DESIGNER – Aurimas Lažinskas | Muista
LOCATION – Kaunas
Aurimas Lažinskas, a former book designer, now creates interior objects and is the author of the Muista brand. Realizing the harmful effects of prolonged sitting, the artist created a chair that is not only friendly to those who like to fidget and move around, but also to those who want to take care of their health.
The Jojiko rocking chair is a healthy alternative to regular office chairs, allowing you to choose your sitting position. You can rock back and forth like in a bathtub or sway from side to side like on a bench. In other words, it encourages healthy, natural movements when sitting for long periods of time. This unique and functional piece of furniture activates different muscle groups, reduces tension, and improves posture.
Since 2018, designer A. Lažinskas’ studio has been creating both larger and smaller non-mass-produced design objects that perfectly combine aesthetics and functionality.
“At every step, I try to think everything through – the user experience, the materials, the nuances of production. But sometimes I overthink things and get sidetracked, I start reinventing the wheel, I move in circles instead of a straight and clear line. It takes time to understand which steps in the process are necessary for the final goal and which are not. It would be ideal to work according to the fail fast principle, but that requires experience, learning to spot mistakes in time, recognizing when a decision is not working and immediately testing another one. It is a very demanding process – a chain of discoveries and short disappointments, the end of which you cannot see until you reach your goal.”
Prepared by Gediminas Banaitis-Skrandis
Photo by Svetlana Batura
More information: https://muista.eu/